The latest IDLM Gallery collaborator is former Nylon intern and singer for the folk-rocky Weepaw, Chase Cohl. Her designs are elaborate, handmade headpieces and jewelry under the label Littledoe is Love. Some may feel they need another headband like they need a hole in their head, but there's something very peace, love, and happiness about these pieces. No prizes for guessing the one-offs, specially when they feature a real antique iron crown, beautiful blue/yellow macaque feathers, taxidermy butterflies, 19th century gold tapestry, and a fanned out bird wing (as the last one). The limited pieces are simpler but not less beautiful with the delicate chains and freshwater pearls. I'm hesitating to ask IDLM how much these pieces are but seeing as 50% of the sales goes to Designers Against Aids, then someone with very deep philanthropic pockets will step up and have their heads crowned in Littledoe is Love glory...
Sunday, June 27, 2010
Littledo is Love
Today is an apt day to be posting about I Don't Like Mondays new gallery adventure because a) it's not a Monday and b) better yet, it's a Sunday! I Don't Like Mondays Gallery project is an ongoing venture which sees unique collaborations between artists and stores to create wearable one-off pieces - or at least, push the boundaries of wearability to the upper limit. The last artist, Shin Murayama, has created vicious looking masks out of trainers, sheepskin, and can ring pulls forming a decidedly scary teeth-ridden beard.
The latest IDLM Gallery collaborator is former Nylon intern and singer for the folk-rocky Weepaw, Chase Cohl. Her designs are elaborate, handmade headpieces and jewelry under the label Littledoe is Love. Some may feel they need another headband like they need a hole in their head, but there's something very peace, love, and happiness about these pieces. No prizes for guessing the one-offs, specially when they feature a real antique iron crown, beautiful blue/yellow macaque feathers, taxidermy butterflies, 19th century gold tapestry, and a fanned out bird wing (as the last one). The limited pieces are simpler but not less beautiful with the delicate chains and freshwater pearls. I'm hesitating to ask IDLM how much these pieces are but seeing as 50% of the sales goes to Designers Against Aids, then someone with very deep philanthropic pockets will step up and have their heads crowned in Littledoe is Love glory...


The latest IDLM Gallery collaborator is former Nylon intern and singer for the folk-rocky Weepaw, Chase Cohl. Her designs are elaborate, handmade headpieces and jewelry under the label Littledoe is Love. Some may feel they need another headband like they need a hole in their head, but there's something very peace, love, and happiness about these pieces. No prizes for guessing the one-offs, specially when they feature a real antique iron crown, beautiful blue/yellow macaque feathers, taxidermy butterflies, 19th century gold tapestry, and a fanned out bird wing (as the last one). The limited pieces are simpler but not less beautiful with the delicate chains and freshwater pearls. I'm hesitating to ask IDLM how much these pieces are but seeing as 50% of the sales goes to Designers Against Aids, then someone with very deep philanthropic pockets will step up and have their heads crowned in Littledoe is Love glory...
Act Up
The Silence = Death logo that became synonymous with ACT UP was actually created by six gay activists before the organization was founded. Later they joined!
ACT UP's first demonstration on March 24th, 1987 received much media attention in New York City, but only led to 17 arrests.
Read My Lips was a kissing demonstration that ACT UP employed, non-violently bringing about change toward sexual discrimination.
In the 1980s, frustration and anger filled the streets of New York City as the AIDS epidemic, unchecked and unacknowledged by the government, ravaged the country. In response to the administration's inaction and neglect, author and activist Larry Kramer formed the first and most influential AIDS awareness organization, ACT UP, in 1987 to address the dire problems of the crisis. By educating the public, facilitating a dialogue between pharmaceutical companies and citizens, intelligently employing civil disobedience, and resiliently fighting against sexual discrimination, ACT UP has been and remains an invaluable presence in the fight for equal rights and against HIV/AIDS.
In tribute to the organization and in recognition of its instrumental influence, here is a timeline to showcase those first heroic individuals who put up a fight when the government turned its back.
1987 – in March, a group of individuals outraged by the government’s mismanagement of the AIDS crisis meet at the Lesbian, Gay, Bisexual and Transgender Community Center to discuss plans of action. Larry Kramer founds ACT UP. The organization's first demonstration takes place March 24th on Wall Street, targeting pharmaceutical companies that are profiting from the sales of HIV/AIDS drug, AZT, but without making it easily accessible to people infected with the disease. After this demonstration, the FDA shortens the drug approval process by two years.
1988 --- In January, ACT UP protests an article written in Cosmopolitan that erroneously states that women cannot contract the AIDS virus through heterosexual sex. Women of ACT UP informally meet with the misinformed writer and demand both a retraction and an apology. After the author refuses both requests, 500 people protest the magazine outside its headquarters, the filming of which is later included in the documentary, Doctors, Liars, and Women.
-- GRAN FURY, an "invisible" artist/activist collective forms and quickly becomes the artistic complement to ACT UP. Taking on the unofficial role of ACT UP’s propaganda ministry, GRAN FURY prolifically produces loud billboards and bus posters addressing the AIDS crisis. The collective even reaches the windows of the New Museum. Provoking a dialogue, their strong messages prove direct, powerful, and persuasive.
-- This same year, Douglas Crimp, an active ACT UP member, publishes his influential writings on the crisis in AIDS: Cultural Analysis/Cultural Activism.
1989 -- For ACT UP’s second anniversary, 3,000 people meet at New York City Hall to protest the inadequacy of all AIDS policy under Mayor Edward Koch. This AIDS demonstration is the largest of its kind to date. About 200 demonstrators are arrested.
1990 – ACT UP organizes a movement against the National Institutes of Health (NIH). 1,000 protesters unite to demand more AIDS treatment and better representation of women and people of color in clinical trials.
-- This same year, active ACT UP member and film historian, Vito Russo, dies from AIDS-related complications.
1991 -- ACT UP's Youth Education Life Line (YELL) committee helps sway the New York City Board of Education to approve a plan for condom distribution in public high schools. ACT UP also demands medical treatment for prisoners with AIDS, declaring that “living with AIDS in prison is cruel and unusual punishment."
Be sure to look out for ACT UP because the fight against AIDS isn't over!
Saturday, June 26, 2010
Sunday, June 20, 2010
Sweet Mud
Casting a critical and intensely personal eye of life on a kibbutz, Sweet Mud peels away the layers of folklore and romanticism to reveal the harshness of the communal enterprise. Israeli director Dror Shaul places his outstanding cast in settings of lush visual beauty in a film that was developed at the Sundance Screenwriters and Directors Lab with input by Stephen Gaghan and Ed Harris, amongst others. This summer the Consulate General of Israel will mark the centennial anniversary of the Kibbutz movement with this special outdoors screening. This evening will be dedicated to the magic of this unique Israeli social phenomenon. As the kibbutz is founded upon agriculture, with a concentration on nature, the film will be screened at Solar One, a venue powered solely by green energy. Enjoy a “kibbutz-like” gathering filled with Israeli food, music and film, all under the summer skies.
Where:
On the pier at Solar One
23rd St. and the East River
When:
8:00 Doors Open
8:30 Live Music by Hank & Cupcakes
9:00 Film begins
Friday, June 18, 2010
Classical
Force
"There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique. And if you block it, it will never exist through any other medium and it will be lost. The world will not have it. It is your business to keep it yours clearly and directly, to keep the channel open... There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others."
Quote From
MARTHA GRAHAM
The Life and Work of
Las Migas
This is a 4-girl flamenco band from Barcelona, Spain. Superb stuff both visually and musically. Las Migas – BOOOOOOOM!
Live performance:
Live performance:
One Chance
" And again he thought the thought we already know: Human life occurs only once, and the reason we cannot determine which of our decisions are good and which is bad is that in a given situation we can only make one decision; we are not granted a second, third or fourth life in which to compare."
Quote from
MILAN KUNDERA
'The Unbearable Lightness of Being'
Evan B. Harris
In the rainy gloom of Portland, OR, Evan B. Harris finds solace in his beautiful attic studio. Using aged acrylic and oil paints, charcoal pastels, plastic resin and melted wax, he creates images that seem unearthed from the past. His work often refers to his father’s artisan philosophies and inspired by his upbringing in the backwoods of Medford, OR. Evan’s art studio feels as though you stepped into a scene of his paintings. Everything in the place it was made to be, with deep accents of color and a rustic nostalgia.
Some of my favorites Evan B. Harris paintings from the past. To see more check out his Flickr.
Some of my favorites Evan B. Harris paintings from the past. To see more check out his Flickr.
Joyriders
Joyriding is the act of stealing a car, rallying it under the nose of the authorities, and then abandoning it. Dublin-native Ross McDonnell documented the lives of these Joyriders: Irish youth living in the hollowed-out slum known as Ballymun. The images capture the wreckless abandon of the working class youths amidst burning cars, police sirens, and drug abuse.
Monday, June 14, 2010
Thursday, June 10, 2010
NY films
The following films take place all over New York: Uptown, Downtown, Brooklyn and so forth. They are unique films, each with its own style and sensibility, that work together to form a rare perspective about city life. Sending NY flavor out to wherever you may call home.
Harpo's Juke Joint | MySpace Video
"Violence as a way of achieving racial justice is both impractical and immoral. It is impractical because it is a descending spiral ending in destruction for all. The old law of an eye for an eye leaves everybody blind. It is immoral because it seeks to humiliate the opponent rather than win his understanding; it seeks to annihilate rather than to convert. Violence is immoral because it thrives on hatred rather than love. It destroys community and makes brotherhood impossible. It leaves society in monologue rather than dialogue. Violence ends by defeating itself. It creates bitterness in the survivors and brutality in the destroyers."
Quote by
MARTIN LUTHER KING, JR.

Harpo's Juke Joint | MySpace Video
"Violence as a way of achieving racial justice is both impractical and immoral. It is impractical because it is a descending spiral ending in destruction for all. The old law of an eye for an eye leaves everybody blind. It is immoral because it seeks to humiliate the opponent rather than win his understanding; it seeks to annihilate rather than to convert. Violence is immoral because it thrives on hatred rather than love. It destroys community and makes brotherhood impossible. It leaves society in monologue rather than dialogue. Violence ends by defeating itself. It creates bitterness in the survivors and brutality in the destroyers."
Quote by
MARTIN LUTHER KING, JR.

Scheneiderman
Event: Opening for the Ellen Schneiderman show
Venue: Dutch Kills Gallery
Date/Time: Saturday June 12th 6 – 9pm
Address: 37-24 24th Street, Suite 402, Long Island City 11101
Address: 37-24 24th Street, Suite 402, Long Island City 11101
Price: Free
The show itself runs from June 12th through July 4th
Description: Her mixed media works are influenced by systems that categorize species and specimens, macro and microbiological forms, and her own tendencies to organize, record, and contain. In her paintings, nested rectangles of cut paper house globs of dried paint and create imperfect grids. Inked patterns are covered by poured acyclic mediums to become new images based on actions of chance. Chunks of paint and mixed color from her palette, often from past paintings (failed or realized), become collected sediment. Entangled painterly gestures are obstructed and revealed by dovetailed shapes. These involved processes and meticulous constructions are created with a deep consideration for the painting’s physical surface and materiality.
Whitey Flagg
climate/gallery
37-24 24th Street, Suite 406
Long Island City, NY 11101
718.784.2737
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